Architectural Motion

Spatial Narrative

One of the main themes that this film tries to embody is the unique effect of the darkness which seems to spread throughout the space (makes one curious as to where the darkness will lead to), and the rows of pillars, which make the place, appear to be spacious and condensed at the same time. The different angles at which light penetrates this space generates a yellowish-pink colour, which is reflected off the supports, giving the space an opulent and vibrant sentiment. Also the position of the light affects the intensity of the colours on the pillars, which is another concept explored in the film.

Film- TRAPPED

Method process for film

This film was created by taking a number of photos of a detachable model, and tracing and rendering over the images with an assortment of drawing tools, e.g. ink pens, paint, pencil, etc. The images were further edited on photoshop, before being arranged in Windows Moviemaker.

Plotline

The first thing you notice as you enter this space, is the endless rows of pillars, and the dark, brooding atmosphere of the place, which gives one the impression that the place seems to stretch forever, (makes you wonder, where the darkness leads to). As you travel through this domain, you are encapsulated by darkness, and the light in which you came from disappears. The darkness makes you feel claustrophobic, and you desperately want to escape the ominous presence that the place emanates. As you search for that elusive escape route, light suddenly enters into the space from different positions and at different angles that creates a kaleidoscope of colour, which gives the space a warm ambience. You discover that the source of the light comes from the windows, and as you approach it, the light fades away, and you return to the darkness. Feeling dejected, you continue your journey, until you see a glimmer of light in the darkness. Hope reignites within you and you gradually quicken your pace towards the light, which grows brighter, with the receding darkness....

Course Overview

This workshop enabled me to use the skills I acquired in the other two workshops to great effect. As mentioned previously, it required me to be proficient at drawing perspectives to create a moving space. Also I was able to apply some colour theory to add dynamic to some of the stills. The best thing about this workshop is that it allows you to experiment with different methods and techniques in order to create a desired effect. From doing this workshop, I have a greater appreciation for film making, and the tedious processes that are involved (such as editing). Also I believe that since films are such a powerful medium, it is good to have an insight into the processes that are involved, as films are often an effective way to communicate to potential clients in the building and construction industry (which is an area I want to be involved in, in the future).

Architectural Drafting

Teacup exercise

Quick perspective exercise

Method

The objective of this exercise was to incorporate the building we selected for our final drawing presentation (I chose to do the Botta house) to an empty space on the UNSW campus. This was done by using tracing paper to delineate (with pen) the area, and in context with this exercise, draw a perspective drawing of our chosen building, so that it appears that the empty space has always been occupied.

Perspective exercise

Process Drawing

Method Process for Final Drawing

Using an array of different pencils to create the different density in the lines, before using a marker and pencil shading to add depth to the plan, elevation, section, and perspective drawings.

Final Drawing

Course Overview

In this short workshop, I was able to develop my speed and accuracy in different kinds of drawings. The best aspect of this workshop is that it started at a level that catered for people, who are at different levels in their ability to draw (even for people who are novices such as myself). The workshop introduced to me the fundamentals of drawing, as well as drawing perspectives, which turned out to be a very important skill to have, as it assisted me greatly in my other workshops, where I needed to delineate a space quickly and with precision (e.g. 49 veils exercise in Atlas of Colour and drawing the stills in Motion). Another important lesson I learned from this workshop is that scaled drawings are not restricted to being just technical drawings with a lot of information. Often, depending on who your target audience are, they can be slightly abstract, and visually appealing, as well as have a particular personality instilled in them. Personally, I feel that learning to use scaled drawings that are able to convey as much as information as possible, so as to minimise the amount of writing on them, is another valuable skill to have when doing architectural courses (where drawing the floor plans is required) in later years. In conclusion, I believe that this is the most useful workshop for the engineering components of my course.

Atlas of Colour

Folio

Title Page




Contents Page

pg 1

pg 2
pg 3


pg 4
pg 5
pg 6
pg 7
pg 8
pg 9
pg 10
pg 11

pg 12

pg 13

pg 14

pg 15

pg 16

pg 17
Tunnel View 1

Tunnel View 2

pg 26

Method process for folio

This folio is a compliation of all the class exercises. It was printed on photo paper and bound using the accordion method.

Course Overview

Through learning the colour theory, in this workshop, it allowed to me to better appreciate the impact that colour (when used effectively) has on relatively simple designs. For instance, through doing the elevation exercise and by looking through the works of Luis Barragan, as part of my precedent study, I noticed how colour can add a layer of depth and complexity (as well as gives life)to a simple structure, which would have otherwise looked plain without colour. The most rewarding aspect of this workshop is that it gave me the opportunity to use and learn more about Photoshop. The skills that I have picked up through using Photoshop will be of great value to me, for future architectural courses, which focus on design and image manipulation. Also through learning the colour theory, it's enabled me to have some understanding of how colour is used in certain built environments, e.g. the walls inside hospitals are painted sometimes pale blue to promote calm and reduce anxiety. Overall I felt this was the most challenging (and expensive) workshop.